Quote from Kingofrunes;507865:
I never said it was the best anime ever. Sorry to hear that you dislike it so much. I simply found it to be a fascinating anime. I have yet to think that any anime is the best anime cause frankly, I feel there is no so called "best anime". I have favorite animes but I wouldn't go so far as to say that they are the "best anime".
That's just my take on it.
In the end, either you enjoy it, or you don't. I happened to enjoy it.
Never said you did. Keep in mind I had to suffer through when this series first aired, and the subsequent compulsion of the internet to recommend Elfen Lied as a gateway anime for those who'd never really watched anime before. I simply cannot understand the fascination with it once it's really broken down and the novelty wears off. I see it as a horror anime where the psychopathic murderer spends most of her time swapped out with a dry-humping three-year-old who's a bit late into her vocabulary development (depriving the audience of seeing any character growth from her), who ends up living with Captain Cardboard (aka "I am Runaway Jesus" or "I am destined for no character growth") who never acts, only reacts, whose incestuous cousin (aka "Even if this weren't incest, there's a time and a place, lady") would get jealous if he helped an old lady walk across the street. We then have Violent Military Guy (aka "I slap women for no reason to let you know I am teh evilz"), Mayu (aka the only non-one-dimensional character, possibly the smartest person in that entire house; did I mention I believe the creator/anime staff just wanted an excuse for a little girl to bend over naked in front of the reader/watcher?), and Nana (who, while I can understand her trauma would have been much better in expressing it without screaming "Papa!" half the time). The director of the Diclonius program was only important in regards to his relation with Nana, Lucy, and Mariko (the three Diclonii? Is that the plural?). Btw, Mayu and Nana are probably the most relatable characters in this story and the sad truth is they have almost no impact on it. All the events would have still unfolded in one way or another without them. And the actual head of the program and his son were completely abandoned plot points. People tell me the manga continues on with the story, but unless it fills in the majority of plotholes and bad characterization, I just can't see that saying much.
There are better horror anime out there (Higurashi). There are better anime with violence and boobs that also suffer from the story ending abruptly while the manga continues it (Berserk). Berserk isn't even a horror anime and the stuff in it is more screwed up than any inkling of things you could see in Elfen Lied.
Tl;Dr: It gets a lot more praise than it deserves, mostly because it's a shock value series that tries to masquerade itself as something profound, and that's really my biggest problem with it. That and Yuka.
Edit: Code Geass is good, but far from being considered a "best anime" contender. It's basically "Gundam SEED except good," starring Light Yagami except likeable, and I like to think its success owes strongly to the collaboration of Clamprise. It's a fun ride, and Lelouch's charisma really carries the series, but it drops a bit too often into the unnecessarily silly, and a lot of its plot points are kinda soap opera-ish. Also, while the chess metaphor is interesting, it's a bit overused, and just like many of the more recent Gundam series, Code Geass suffers from the same pseudo-philosophical approach to war. Darker than Black did have a better story/premise, but admittedly worse presentation. And its second season kind of hurt me, but only because I had to compare season 2 to season 1 and ask myself "What happened?"